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Scene review by Alias74 on Porter and David of Sean Cody

PORTER AND DAVID BAREBACK (20 minutes, March 28, 2014)

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Overall Impression: Sean Cody is all about gorgeous, in shape, all American, straight guys doing gay things on camera. Add to that a now signature camera style (more on that later), and you have Sean Cody’s aesthetic. And while that formula tends to pay off more often than not, absent any stellar chemistry, most of the scenes end up just being a serviceable pairing – Hot, boner-inducing but not really anything to write home (or to a blog) about. Enter “Porter and David: Bareback” – David as usual is an impressive stud, exuding his ginger “Alpha Male” masculinity on cute, elfin-like Porter’s national treasure-esque bubble butt. David gives us another Sean Cody trademark – the “Top Only” performance as he merely gets serviced and fucks. Minor quibble because David does this extremely well! Porter lives up to his role of “accommodating bottom” – sucking, teabagging, light rimming, and taking David’s long, gorgeous veiny cock to the hilt, and by the second portion of the sex scene (after the first cum shot – yet another Sean Cody trademark: Two money shots per clip), Porter takes some pretty violent fucking from David (push-up fucks!).

And yet…..not really a scene to write home about. Just so-so. The chemistry between the two really doesn’t start to twinkle until all that aggressive fucking happens ¾ into the clip when David goes all Christian Grey while Porter lets his inner sex pig out. I guess SC scenes can kinda be like pizza: Even when it’s fair to middling, it’s still…..PIZZA! DOWNLOAD AND WATCH LATER.

PROS:

  • Make out lovers rejoice – The guys spend about 2 minutes or so making out, touching, tickling and teasing each other before closing escrow.

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  • Porter’s oral skills (short lived as they are) are fairly impressive – THIS is how you give a blow job, people: All mouth, no hands. David seemed to love it!

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  • Want proof of Porter’s ample booty? Check out the weird circular tan line at the top of his ass-crack: This only happens when someone is so callipygous, the butt cheeks sorta bunch up and don’t get the sun exposure/tanning bed exposure. HOT!

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  • EXCELLENT camera work: The entire clip is chock full of what I think is SC’s signature cinematography – capturing the action in medium, zooming in for closeups of the action, zooming back, panning and moving the camera around the performers and then back again. Watch EACH position as its captured this very same way! I love this – it gives a real time sense to everything like you’re in the room.
    • Check out minutes 14:34 through 15:41 – shot starts at an angle HIGH up (love those long lenses) and the camera moves down and around the performers to ground level (look close above Porter’s head and you’ll see where the camera man was standing on the bed at the beginning of the shot)
  • HELICOPTER!!!!! As in, when a bottom is erect and bounces on the top, his cock starts twirling like the blades of a……helicopter! (see what I did there?) You so rarely see one executed as well as Porter does at minutes 7:52 – 8:23
  • David’s cumshots are MASSIVE: his first literally hoses down Porter’s ass in cum-showers (David even fucks, pulls out and lets his cock squirt hands free a few microseconds before jacking out the voluminous, body wracking loads). His seconds sends four ROCKETS over Porter’s head (check out the cum stains on the blanket far past Porter in the camera panning end shot).

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  • Behind the Scenes clips reveals why Porter only has one cumshot: he accidentally came while filming… We see the outtake and a wonderful exploding money shot.
    • FYI Porter is using the Masters and Johnson Squeeze Technique despite his  flat out denial of using it. 

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CONS:

  • Again, slow burn chemistry that doesn’t really develop until the scene is practically over.
  • David tops only and nary reciprocates…. even tacitly throws his legs up in the air during the oral portion as if to order Porter to rim him (it doesn’t last very long and isn’t captured very well).
  • As good as the cinematography is, at times there are too many shadows – Ever heard of 360 degree lighting???? Look into it, please.
  • Major inconsistent editiing – we go from clothes on teasing STRAIGHT into naked David with a hard cock; later just as the helicopter gets going there a head scratching soft fade, mid-action into the start of doggy style. What gives? This is classic, choppy editing style that kills the momentum the photography builds up (sadly another hallmark of Sean Cody clips).
  • Even stranger editing? After Porter cums with David inside him, there’s a quick fade to David standing and jacking himself off. And then there’s no B camera replay for the second money shot (???)